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97th Academy Award Nominations Revealed

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The Academy announced updates to its 97th Oscars® key dates and schedule of events due to the impact of the Los Angeles-area fires. They moved nomination announcements to today.

The 97th Oscars will still be held on Sunday, March 2, 2025, at the Dolby® Theatre at Ovation Hollywood and will be televised live at 7 p.m. ET/4 p.m. PT on ABC, streamed live on Hulu and air live in more than 200 territories worldwide.

Emmy® Award-winning television host, writer, producer and comedian Conan O’Brien will host the 97th Oscars. The Academy nominee luncheon has been cancelled (was set for February 10th).

Academy CEO Bill Kramer and Academy President Janet Yang said, “We are all devastated by the impact of the fires and the profound losses experienced by so many in our community. The Academy has always been a unifying force within the film industry, and we are committed to standing together in the face of hardship. We will get through this together and bring a sense of healing to our global film community.”

Best picture

  • “Anora” (Neon)
  • “The Brutalist” (A24)
  • “A Complete Unknown” (Searchlight)
  • “Conclave” (Focus)
  • “Dune: Part Two” (Warner Bros.)
  • “Emilia Pérez” (Netflix)
  • “I’m Still Here” (Sony Classics)
  • “Nickel Boys” (Amazon/MGM)
  • “The Substance” (Mubi)
  • “Wicked” (Universal)

Best director

  • Sean Baker, “Anora”
  • Brady Corbet, “The Brutalist”
  • James Mangold, “A Complete Unknown”
  • Jacques Audiard, “Emilia Pérez”
  • Coralie Fargeat, “The Substance”

Best actress

  • Cynthia Erivo, “Wicked”
  • Karla Sofia Gascón, “Emilia Pérez”
  • Mikey Madison, “Anora”
  • Demi Moore, “The Substance”
  • Fernanda Torres, “I’m Still Here”

Best actor

  • Adrian Brody, “The Brutalist”
  • Timothée Chalamet, “A Complete Unknown”
  • Colman Domingo, “Sing Sing”
  • Ralph Fiennes, “Conclave”
  • Sebastian Stan, “The Apprentice”

Best supporting actress

  • Monica Barbaro, “A Complete Unknown”
  • Ariana Grande, “Wicked”
  • Felicity Jones, “The Brutalist”
  • Isabella Rossellini, “Conclave”
  • Zoe Saldaña, “Emilia Pérez”

Best supporting actor

  • Yura Borisov, “Anora”
  • Kieran Culkin, “A Real Pain”
  • Edward Norton, “A Complete Unknown”
  • Guy Pearce, “The Brutalist”
  • Jeremy Strong, “The Apprentice”

Best original screenplay

  • “Anora,” Sean Baker
  • “The Brutalist,” Brady Corbet & Mona Fastvold
  • “A Real Pain,” Jesse Eisenberg
  • “September 5,” Tim Fehlbaum & Moritz Binder
  • “The Substance,” Coralie Fargeat

Best adapted screenplay

  • “A Complete Unknown,” Jay Cocks & James Mangold
  • “Conclave,” Peter Straughan
  • “Emilia Pérez,” Jacques Audiard, Thomas Bidegain & Nicolas Livecchi
  • “Nickel Boys,” RaMell Ross & Joslyn Barnes
  • “Sing Sing,” Clint Bentley, Greg Kwedar, Clarence Maclin & John “Divine G” Whitfield

Best international feature

  • “I’m Still Here,” Walter Salles (Brazil)
  • “The Girl with the Needle,” Magnus von Horn (Denmark)
  • “Emilia Pérez,” Jacques Audiard (France)
  • “The Seed of the Sacred Fig,” Mohammad Rasoulof (Germany)
  • “Flow,” Miguel Gomes (Latvia)

Best documentary feature

  • “Black Box Diaries,” Shiori Itō (MTV)
  • “No Other Land,” Basel Adra, Hamdan Ballal, Yuval Abraham & Rachel Szor (No distributor)
  • “Porcelain War,” Brendan Bellomo & Slava Leontyev (Picturehouse)
  • “Soundtrack to a Coup d’Etat,” Johan Grimonprez (Kino Lorber)
  • “Sugarcane,” Julian Brave NoiseCat & Emily Kassie (Nat Geo)

Best animated feature

  • “Flow” (Janus Films/Sideshow)
  • “Inside Out 2” (Disney/Pixar)
  • “Memoir of a Snail” (IFC Films)
  • “Wallace & Gromit: Vengeance Most Fowl” (Aardman/Netflix)
  • “The Wild Robot” (Dreamworks/Universal)

Best cinematography

  • “The Brutalist,” Lol Crawley
  • “Dune: Part Two,” Greig Fraser
  • “Emilia Pérez,” Paul Guillaume
  • “Maria,” Edward Lachman
  • “Nosferatu,” Jarin Blaschke

Best costume design

  • A Complete Unknown (Arianne Phillips)
  • Conclave (Lisy Christl)
  • Gladiator II (Janty Yates and Dave Crossman)
  • Nosferatu (Linda Muir)
  • Wicked (Paul Tazewell)

Best film editing

  • “Anora,” Sean Baker
  • “The Brutalist,” Dávid Jancsó
  • “Conclave,” Nick Emerson
  • “Emilia Pérez,” Juliette Welfling
  • “Wicked,” Myron Kerstein

Best production design

  • “The Brutalist,” Judy Becker
  • “Conclave,” Suzie Davies
  • “Dune: Part Two,” Patrice Vermette
  • “Nosferatu,” Craig Lathrop
  • “Wicked,” Nathan Crowley

Best original score

  • “The Brutalist,” Daniel Blumberg
  • “Conclave,” Volker Bertelmann
  • “Emilia Pérez,” Clément Ducol & Camille
  • “Wicked,” John Powell & Stephen Schwartz
  • “The Wild Robot,” Kris Bowers

Best original song

  • “Never Too Late,” “Elton John: Never Too Late” (Elton John & Brandi Carlile)
  • “El Mal,” “Emilia Pérez” (Clement Ducol, Camille & Jacques Audiard)
  • “Mi Camino,” “Emilia Pérez” (Clement Ducol & Camille)
  • “Like a Bird,” “Sing Sing” (Adrian Quesada & Abraham Alexander)
  • “The Journey,” “The Six Triple Eight” (Diane Warren)

Best sound

  • “A Complete Unknown”
  • “Dune: Part Two”
  • “Emilia Pérez”
  • “Wicked”
  • “The Wild Robot”

Best visual effects

  • “Alien: Romulus”
  • “Better Man”
  • “Dune: Part Two”
  • “Kingdom of the Planet of the Apes”
  • “Wicked”

Best makeup and hairstyling

  • A Different Man (Mike Marino, David Presto and Crystal Jurado)
  • Emilia Pérez (Julia Floch Carbonel, Emmanuel Janvier and Jean-Christophe Spadaccini)Nosferatu (David White, Traci Loader and Suzanne Stokes-
  • Munton)
  • The Substance (Pierre-Olivier Persin, Stéphanie Guillon and Marilyne Scarselli)
  • Wicked (Frances Hannon, Laura Blount and Sarah Nuth)

Best documentary short

  • “Death by Numbers”
  • “I Am Ready, Warden”
  • “Incident”
  • “Instruments of a Beating Heart”
  • “The Only Girl in the Orchestra”

Best animated short

  • “Beautiful Men”
  • “In the Shadow of the Cypress”
  • “Magic Candies”
  • “Wander to Wonder”
  • “Yuck!”

Best live-action short

  • “A Lien”
  • “Anuja”
  • “I’m Not a Robot”
  • “The Last Ranger”
  • “The Man Who Could Not Remain Silent”

 

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